Monday, February 27, 2017

Social integration and inclusion

Can music promote social inclusion? 

Increasingly, researchers in the psychology of music have turned their attention to this question. Within our current global context where we are witness to  unprecedented numbers of displaced peoples, research in this area has important implications. Several researchers have investigated the power of music to support vulnerable groups in forging a sense of belonging within their wider communities. Psychology of Music is leading in highlighting some of this research, embracing methodologies that include meta-analyses, experimental designs and in-depth qualitative case studies.

Music’s role in the lives of young people coping with multiple barriers to social inclusion has also been investigated. Lindblom reports a rich and detailed account of the ways in which traditional and contemporary musics offered several pathways to social inclusion for two young First Nations Canadians, both of whom had been diagnosed on the autism spectrum. Some critical questions are raised, in this article, relating to the ethics of music interventions and in particular the need for cultural sensitivity.

Focusing on music-making as a potential creative and compassionate response to issues around social inclusion,  Henderson, Cain, Istvandity, and Lakhani reviewed the evidence for the role of participatory music in supporting the integration of migrant communities. The researchers focused on research over the past decade concerned with positive mental, physical, and emotional health outcomes of music interventions. While the wider benefits of music interventions for migrant groups is, as yet, an under-researched area, there is some compelling evidence to suggest that collaborative music-making could play an important role in promoting acculturation and helping newly arrived community members to develop self-confidence, self-esteem, and a sense of identity within their new environments. Amongst the studies reviewed, a significant feature of the music interventions was the potential for developing inter-cultural respect and understanding, through sharing of musics from the former home country as well as exploration of musics from the new home country.


Some of the positive effects of music for social inclusion may be related to the characteristics of musical social networks noted by Pearce, Launay, MacCarron, and Dunbar. These researchers compared singing groups to craft and creative writing groups, focusing on social and relational bonding. The singers were distinctive in rapidly forming social bonds; this was possibly attributable to their sense of collaboration in working together towards a common goal, as well as endorphin release (as a result of the singing), which may have fostered feelings of closeness towards an unfamiliar group of people.
Listening to music, too, may evoke feelings of cross-cultural affiliation. According to a groundbreaking study reported by Vuoskoski, Clarke, and DeNora,  listening to music from a culture different to one’s own may increase the listener’s positive implicit attitudes towards that particular culture. This study, the first to demonstrate that listening to music can evoke feelings of social affiliation, extends our knowledge concerning the potential for synchronous music-making music to promote empathy and pro-social behaviour.

There are clearly many avenues of investigation yet to be explored, relating to the multi-faceted ways in which music participation and listening may support social inclusion and integration of marginalized or vulnerable groups. Interdisciplinary, multicultural research will help us enormously in developing deeper understandings of this important topic, with the potential for significant impact upon social integration practices.

Welcome to the Psychology of Music Editor’s blog

Welcome to the Psychology of Music Editor’s blog

It is a great honour to be taking on the role of Editor of Psychology of Music, and also a wonderful gift! In the spirit of the five-hour rule, I am delighted to have an opportunity to spend daily time reading and reflecting on the fascinating work of my colleagues in the field of Psychology of Music. Together, my Assistant Editor Maria Varvarigou and I will use this blog to highlight themes and ‘hot topics’ amongst the recently published papers on Psychology of Music Online First